Doing a routine google search on the director/writer of a feature I am auditioning for- got it on AA self submitting. CD is well established and credited. But I found a go fund me- like page for the film. On the page, the director states how he loves discovering new talent, and gave one big actor their start in a film he made 10 years ago (this seems true), and that "aspiring actors" can purchase a perk to bypass the audition process or send resumes to an email address. There are some big names attached, but on the go fund site theres like $50k left to reach. It suppose to shoot in May, this seems kinda odd, right?
Queer/non-binary actor here considering a short mullet to switch up my look. I have an “edgy/alternative” look but can clean up for roles with a pretty standard male presenting haircut. Think the mullet will limit my bookings or should I go full tilt for something new? Any and all opinions encouraged and appreciated
**Friday, March 24 - Thursday, March 30** ###Top 10 Posts | score | comments | title & link | |--|--|--| | 131 | [15 comments](/r/VoiceActing/comments/1245zbo/booth_update/) | `[Booth Related]` Booth update!| | 83 | [5 comments](/r/VoiceActing/comments/122xxte/a_lesson_learned_from_a_failed_audition_an_advice/) | `[Advice]` A Lesson Learned From A Failed Audition / An Advice for Newcomers| | 76 | [7 comments](/r/VoiceActing/comments/124az53/dont_give_up_you_can_do_it_if_you_have_faith_in/) | `[Getting Started]` Don't give up; you can do it if you have faith in your talents!| | 62 | [17 comments](/r/VoiceActing/comments/126gddn/fiverr_account_permanently_disabled_with_no/) | `[Advice]` Fiverr account permanently disabled with no warning| | 42 | [8 comments](/r/VoiceActing/comments/120sa12/fandubs_go_in_the_friday_anything_goes_threads/) | `[Mod News]` Fandubs go in the 'Friday Anything Goes' threads only.| | 37 | [11 comments](/r/VoiceActing/comments/125q8g4/got_hired_on_backstagecom_whats_next/) | `[Advice]` Got hired on backstage.com- what's next?| | 30 | [26 comments](/r/VoiceActing/comments/123cm00/convincing_my_parents_to_let_me_voice_act_teen/) | `[Advice]` Convincing my parents to let me voice act (Teen)| | 25 | [19 comments](/r/VoiceActing/comments/12243ny/voice_acting_voice_over_classes/) | `[Advice]` Voice Acting / Voice Over Classes?| | 19 | [3 comments](/r/VoiceActing/comments/123w6d1/voice_acting_coachingclass_recommendations/) | `[Advice]` Voice Acting Coaching/Class Recommendations?| | 18 | [8 comments](/r/VoiceActing/comments/124qeo6/does_anybody_have_recent_experience_or_know/) | `[Advice]` Does anybody have recent experience or know anything about the company “Voices for All”?| ###Top 5 Most Commented | score | comments | title & link | |--|--|--| | 3 | [29 comments](/r/VoiceActing/comments/1238yfm/best_blankets_to_use/) | `[Advice]` Best Blankets to use?| | 4 | [22 comments](/r/VoiceActing/comments/126pt84/does_any_one_have_experience_with_anime_voice/) | `[Discussion]` Does any one have experience with anime voice acting? Why are the same VAs getting casted over and over again?| | 2 | [17 comments](/r/VoiceActing/comments/121wof2/mic_help_200_budget/) | `[Microphones]` Mic help! 200$ budget| | 0 | [14 comments](/r/VoiceActing/comments/122qdjq/looking_for_voice_actor/) | `[PAID work]` Looking for voice actor| | 16 | [11 comments](/r/VoiceActing/comments/121tkw3/looking_for_guidance_on_microphone_vibrations/) | `[Advice]` Looking for guidance on microphone vibrations.|
I'm starting to get the sense this is a bit controversial. I've recently started looking at breakdowns to get started in acting. At first, I assumed "local hire" meant precisely that. So if a project in Atlanta specified "local hire", they weren't considering anyone outside Atlanta. Then I found a few articles that mentioned it in the context of travel expenses and that some newer actors take local hire roles in other cities, knowing they won't get travel reimbursements. But now I'm seeing differing opinions about this on the subreddit, to the point of calling somebody a scab that needs to get out of the industry (which might have been more about more of an argument over the testing requirement than geography). Is the issue simply over trying to get a local hire role when you aren't local? Or is the issue with people who *lie about being local* to get a role? Are there CDs that have no problems with casting non-local actors unless there's a covid testing requirement or a need to be available on short notice? I've heard that some CDs have been burned by actors who haven't been truthful about where they actually live and couldn't show up for covid testing. And yes, I anticipate a range of experiences and opinions.
So i've finally decided to act on my dream of being a voice actor and i will ofc need a good mic. I was wondering what you lovely folks would recomend. I have around 3000 USD to use but i'd rather not use that much on my first mic. Some info that might be usefull: I will be using a 2022 Asus ROG Zephyrus g14 with 16gb ram My room is medium to øargely sized with no soundproofing. Though it is quite packed (don't know if it makes a difference but thought i should mention) This mic is mostly gonnna be for practise and if i'm lucky some small VA jobs and once i can see a future doing it i'll invest in more expensive equipment Thank you in advance to everyone who responds!
Screenshot from Actors access where I saw the breakdown.
Any fellow nutmeg state actors on her have any advice or wanna link up?
Hello acting community! I'm writing a story where the main character is an actress and was wondering if y'all could help me out by answering any or all of the following questions: 1. What are the worst audition or on-set (theatrical or commercial) experiences you've had? Doesn't have to be too dark - could even be funny or just generally ridiculous in terms of what was required 2. What's the craziest thing you've done in attempt to get a role or an agent / manager? I want people to root for this actress so need to show her really committing / sacrificing in order to get her break (e.g. lying about having certain skills then having to learn, not revealing an allergy, extreme method acting methods, etc) - this doesn't have to be a personal story, if you know of famous actors who've done crazy things, that would be great! 3. What's been an experience where you've been seriously screwed over or let down after being close to getting a break / role? 4. What are the craziest non-conventional ways you've heard people score roles? (e.g. she was the casting director's babysitter / the director saw her at his favorite coffee shop, etc) 5. If you could wave a magic wand and become best friends with a person in one role in the industry to help you accelerate your career - would it be a big casting director, a famous director, or a producer? Or someone else? who do you think has the most sway across roles? 6. Any common demotivating things that people say in auditions / your experience during auditions? Outside of the things shown in LaLa land haha
Hi! I am an aspiring actor originally from Toronto, Canada, currently residing in Ottawa, Canada, for my studies. I am at the beginning of my acting journey and am seeking guidance on how to approach training to hone my talents before applying to agencies for representation. Specifically, I am interested in improving my skills in areas such as improv, on-camera acting, acting techniques, scene study, and cold reading. In Ottawa, I am aware of only one acting studio for in-person training, which is highly rated - the [Screen Acting Academy](https://screenactingacademy.ca). This studio offers four levels of training, along with workshops for improv, auditions, and commercials. Classes take place once a week for three hours. However, I am also considering online training options, such as [LB Acting Studios](https://lbactingstudio.com), [Armstrong Acting Studios](https://www.armstrongactingstudios.com), and the [Houde School of Acting](https://www.houdeschoolofacting.com). I am uncertain about the effectiveness of online classes, though. Additionally, I am unsure whether I should pursue improv training online with [Second City](https://www.secondcity.com/toronto/) or attend an in-person class in Ottawa. To supplement my training, I am considering becoming involved in community theatre to practice my skills, build my credits, and network. I would greatly appreciate any advice, suggestions, or warnings from the community on how best to approach my training and further my career as an actor. Thank you in advance for your valuable input!
So, I recently got a glimpse of One Piece's Film Red English Dub, and Amalee is freaking amazing! She also has done a lot of English covers of songs from the movie, and she's got quite a few followers on Youtube, which is even more amazing! (Even though it's a crime, they didn't add them to the movie! >3<) But for some reason, I can't help but feel utterly inferior to her and wonder if I'll be as great as she is. I mean, I'm barely getting started late in the game, and I just hit the big 3 and O. but I am well aware that every voice actor's journey is different, and I know that every single actor in the world has worked hard to get to where they are. I just wish I could stop letting this lousy feeling get to me, and I'm wondering if everyone else has felt the same way. If you did, how did you go about dealing with it?
Hello, so I just had a thought. I've seen people I know in school kissing before and it honestly looks kind of gross. I've kissed some guys and it sucked too. They didnt really know how to kiss and ew peoples mouths taste weird. But when I watch movies it looks so smooth and enjoyable, I know they are just acting and its heavily choreographed. But Is there a way to kiss like that in real life? And what techniques are commonly used by actors in Hollywood kissing scenes? how do actors kiss because I want to kiss like that. Explain pls..
First impressions matter. Make sure that you are coming into your scenes already connected.The average human attention span is now officially shorter than a goldfish after falling from 12 seconds in 2000 to now just 8 seconds! So, don't assume a casting director is going to watch your entire tape.Have a clear moment before. What has just happened in the scene? Don’t simply meander.Can you find a physical action? (Walking into frame, or finding a physical action to begin the scene.)Try some improv with your scene partner before kicking off the scene. This is especially helpful for a high-intensity, or emotional scene. It gets you fired up and in the zone and means you can come into the scene with great energy and commitment.#actor #tv #film #video #script #writer
Deadline released this really interesting article today contrasting various action heroes throughout cinema history. It made me think about the kind of action heroes that we'll likely see moving forward. I'd love to know the community's thoughts on what makes a great action hero or heroine, and what kind of action stars you all hope to see more of in the future. https://deadline.com/2023/03/peter-bart-contrasting-the-leading-man-life-from-keanu-cruise-harrison-ford-to-sean-connery-seminal-swashbuckler-errol-flynn-1235313663/
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
I’m an aspiring actor moving to Atlanta in August. I’m looking to sign with a talent agency, and I had a few questions. 1) I was wondering how far in advance should I be reaching out to agencies? Should I be working on signing now or wait until closer to my move in date? 2) I know my photography portfolio is important, but how much should I have ready beforehand or will they help build my portfolio? 3) Are there any specific agencies in Atlanta that tend to work with Netflix or other larger studios that shoot in Atlanta or should is just important that I’m represented? Thank you so much and any advice is appreciated!
I love acting. Or, at least, I used to. Lately, that voice in my head telling me that I'm crap has been growing. It nags at the back of my mind while I perform, robbing me of the joy of being fully present as somebody else. At times, it even threatens to take me out of the scene. I want to be able to just have fun playing pretend, like I did when I first began acting. I want to get lost in the role onstage, forget who I am, and become my character. Other actors who've had to deal with insecurities and intrusive thoughts mid-performance: How have you coped? Do you still have those issues? Have you learned to manage them?
I posted in r/animedubs and received some hate over this, particularly why the same voice actors are given opportunity and why I'm not seeing much diversity when it comes to the anime voice acting. There are seasoned POC anime dubbed voice actors who have been around as long as their counterparts but I notice that typically the main cast is mostly white. I'm trying to answer the following questions: 1. Is there a lack of POC talent auditioning? Is it a Texas/LA race demographic or localization issue? 2. Is it laziness or a time constraint when choosing actors to dub? If it's a time constraint, doesn't that give more opportunity to the same voice actors and not anyone else? I'm not saying only POC should only get POC parts but why are so little POC cast as leads or main cast, mainly for mainstream popular anime?
I am finding it difficult to find stable housing in LA without proof of employment despite having savings and good credit. As an actor, how did you get approved for an apartment if you don't have a full-time regular job?
I am an actress with a few good credits on my resume. Recently I’ve met a big director/ producer, someone who works all the time and could change my life with a phone call
I know this might sound stupid or something but it has always been my dream of going to the movies and watching a film with me casted as a main character. I know it is extremely hard to get there and it is mostly about luck in this industry but what are the chances of that ever happening? I'm not in acting for the fame or money I just really want that dream of me being in a movie like that and feeling proud of myself. I love movies so much and just seeing that would make my life well lived.
If not, how you you go about something like that? I’m a newer actor, I’ve taken several classes but currently have no credits.
I auditioned for a feature film a few weeks ago to play the news reporter, they came back and asked my agents if I would take the lead role. The character is attacked at the beginning and is in a wheel chair for the rest of the movie. I was fine with it until production sent me an email making sure I was comfortable with it as some able bodied actors aren’t comfortable playing roles in a wheelchair; and I didn’t really consider that. What are your thoughts on it? I have thought about it in the past, but because the character is only hurt from being attacked by the creature at the beginning I didn’t think much of it.
Hello- I'm recasting a few roles for a project. I've come more prepared today with the following assets: **Master of Ceremonies** $100: [https://drive.google.com/drive/folders/1-HSmYxyLRpzisBuYdXZEOoYEgi3EHftQ?usp=share\_link](https://drive.google.com/drive/folders/1-HSmYxyLRpzisBuYdXZEOoYEgi3EHftQ?usp=share_link) **Grot (foreman/brut)** $150 [https://drive.google.com/drive/folders/1-A3QqO9bHV5YAB-Eg1eECwKZ5ic3olfh?usp=share\_link](https://drive.google.com/drive/folders/1-A3QqO9bHV5YAB-Eg1eECwKZ5ic3olfh?usp=share_link) **Slim ("Thin Man") (henchmen/menacing)** $225 [https://drive.google.com/drive/folders/1-CT8hsKSpq8yIwvW96GvM30hPOH7YP2i?usp=share\_link](https://drive.google.com/drive/folders/1-CT8hsKSpq8yIwvW96GvM30hPOH7YP2i?usp=share_link) \--- Each folder contains reference video clips with the lines spoken at a low volume. Please use these reference clips for pacing. Your voice will be dubbed into these clips. If the actor in the clip is yelling across a large room, your acting should sound like your really yelling across the room and not "pretending" to yell. \--- Terms: you are giving me rights to edit your clips into my project. I am not selling this work. Its for fan-fiction. Submissions: please email your auditions to: [metropolis1927withsound@gmail.com](mailto:metropolis1927withsound@gmail.com) I cannot accept chat requests here since I'm not mobile (Apollo app) I apologize if I didn't reply to questions/auditions yesterday. The rules of the subreddit had changed since I last posted and my post was deleted. Thank you!
Hey everyone! Something I seem to be struggling with a lot is the process of “de-roling”, or coming out of a character after a rehearsal/ show is finished. I do have some ongoing struggles with mental illness & a tendency to dissociate, which I think makes de-roling a bit more tricky for me than for other friends I know in theatre. I seem to find myself becoming a bit too immersed in my characters, and sometimes I struggle to come back to myself when the show or rehearsal is over. It’s unintentional on my part, and can be a bit unsettling. I’ve been discussing this with my therapist as well, but would also love to seek advice from other actors who may have had similar experiences. What processes/ steps/ tricks have been helpful for you when it comes to stepping out of your character and grounding yourself? Acting seems to really dramatically improve my mental health, generally speaking, so I’m reluctant to consider quitting altogether. But I am hoping to work on establishing a little more clear boundaries between myself and my characters if that makes sense. Does anyone else struggle with this? What tricks have worked for you in the past? Any advice would be much appreciated!
I'm Australian and moving to London in a few months! Excited although anxious haha, any tips for actors living in London? I have a casual remote job lined up that will cover bills, rent, etc. Although would be up for another job in London both for extra spending money and to meet people. I'm eligible for Spotlight and will apply for that before I leave, and probably also Equity (as my MEAA membership in Aus should qualify me). Would also love to meet actors in London if anyone's game for it!
Hi night owls! I am an IMDB credited screenwriter looking to make my first short film (5-6 minutes) the catch is… I learned about this competition late and need to submit my final film by 10am PST (in 10 hours!) and I slacked on finding voice talent! I am looking for the following roles. For all roles please be over 18 and available to submit by 2am PST. ## News Anchor (x5): * 2-6 short lines * any age or gender, but you must sound professional and have the rhythm of a news anchor * voice/audio only * Sample Line: March 2023 marks just over two years since Ellie Miller’s app launched ## Little Sister: * 9 short lines * appear younger, 18-20 years old * any ethnicity * voice/audio only, a faux photo of you will appear on screen. * Sample Line: the world feels safe now, like I can do anything ## 911 operator * 3-4 short lines * any age or gender * voice/audio only * sample line: 9-1-1 what’s your emergency? ### Audio will be used in my short film for a completion. Depending on final result, it may be submitted to more completions. ## Pay * $20 for use of your audio in my film (Venmo) * IMDb credit * Link to final film to use for your reel **** you will be paid and credited regardless of if I finish this film on time to submit **** TW for actors: Theme of film is along the lines of black mirror. Not scary, but images of depression, s*uicide will be present. To apply: * message me role you would like. And an audio sample. * first come basis. I will update this when roles are filled. Once I have everyone selected, a group message will go out (BCC) with instructions and script segments. Thank you! Edited to add sample lines
My name is Jawad Asaria, and I’m a filmmaker. I made my first feature film last year in London ([https://www.imdb.me/jawad/](https://www.imdb.me/jawad/)) and am casting for my second feature film. I am looking for an 18-year-old Caucasian male, a 40-year-old Caucasian male, a Caucasian female in her mid-60s and a Caucasian female in her mid-40s. I am also seeking a production assistant with skills in rudimentary makeup/cosmetics and cinematography (preferably one with experience on RED or similar cinematic cameras). There will be ten days of filming although, for the female in her mid-60s, she will only be needed for two of them). If you are or know anyone who fits the above descriptions, please contact me via j4wad.\_ on Instagram or email me at [jawad@clapandcutrejects.com](mailto:jawad@clapandcutrejects.com). I can't promise you that I will reply to reddit messages, but I will try my hardest. This is a paid job, and we plan to aim for a festival release (shooting high, but aiming for Cannes ideally), followed by a theatrical release. As far as how much each actor will be paid, we're adopting a slightly different pay schedule, as I have decided to do this film as a one-crew team (following the general theme of me wanting to try making films in the 'hardest' ways possible). A pool of money is reserved for the six actors, who vary in screen time from 100 minutes to five minutes. The money will be distributed on a needs-basis as agreed by the actors. That money WILL go to the actors but I can't tell you how much you'll get (just that the pool is roughly 4000 GBP). This decision is made at the discretion of the actors, in order to ensure the best for film, with my guidance. I have taken a pledge not to receive money during the production of this film, of which I will be doing all the crew jobs for, and personally fronting a large portion of the money. I am here to make a film I can be proud of, not a quick dinner. I'm not a snake oil salesman and everything is covered by a production company, as well as the legal team attached to it. Everything is above-board. The film's logline is as follows: A suicide in the family and a teddy bear brings an estranged father to an uneasy reunion with his family, one of whom plans to kill him that night. If you think the concept of this film, or the fact you get full artistic freedom to explore your character interests you, please reach out to me using the previously mentioned avenues.
I graduated few years ago, as a new actor, I did a three student films as an extra, one of them was featured dancer extra role, but recent year I got casted as supporting role in two feature films, im wondering should I take those extra role credits for student films out? Or at least tBecause I don’t want be seen as an extra, i want to be seen as an actor
Hello, I am a fairly newer actor with 5 credits and a demo reel. I have been submitting to agencies but haven't heard back from anyone for 3 months. Is it impossible to get an agent without a referral? Also, who should I be targeting? I haven't submitted to the big agencies so I I'm not sure what else I can do. Are there agents that would take a chance on a newer actor. Any advice would be greatly appericated, thanks.
And sometimes... still no suspicions.
We have an amazing line up of talent at the upcoming Iowa Motion Picture Awards May 6, 2023 at the beautiful Boman Fine Arts Center in Forest City, IA! The amazing and inspiring Ricky Bartlett will be our emcee this year. Ricky has just completed filming "Intent Unknown" with Eric Roberts. We are also blessed to have the very talented Elizabeth May and Preshia Paulding performing as well as Another Fine Mess band performing! Our Annual Awards and Gala are open to the public. Come and join us! Tickets are available at www.impa.tv
As someone who is self-submitting in the southeast, I'm currently on one but wonder if the other is worth the additional cost.
A friendly reminder to our new-ish friends (and older lurkers who suddenly decide to become active) here in the r/VA sub... 99.999% of the time, it's because you don't have the requisite karma, as stated in the rules. And you get this result because 99.99998% of the time, you either *didn't bother to read the sub rules as instructed, or simply ignored them.* So, as a refresher, here is a guide to our karma policy: \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_ To post in /r/VoiceActing, your account must be older than three (3) days and have a combined post/comment karma of more than five (5) karma. This is to prevent new accounts from being created to spam the subreddit. On Reddit, your 'karma' is a score for your profile that is based on the number of posts and comments you make, and how people react to them, via upvotes or downvotes. It breaks down like this: * Post Karma: Your score for the number of posts you have made, and the number of positive or negative votes that others have given them. * Comment Karma: Your score for the number of comments you have made, and their votes. * Awarder Karma: When you give an award to a comment or post, the award has a positive number added to your karma. * Awardee Karma: When someone gives an award to one of your comments or posts, the award has a positive number added to your karma. The total of these numbers is added together to compute your overall karma score. It's important to note that filters like the Automoderator for /r/voiceacting do NOT take award karma into account. In the case of our subreddit, your overall karma score and/or account age is too low to get past our anti-spam filter, which prevents new accounts and/or accounts with low karma scores from participating in our subreddit. The easiest way to raise your karma score is by positively interacting (commenting on) posts that appear on Reddit's main page/screen. See [here](https://www.makeuseof.com/tag/what-is-reddit-karma/) for an in-depth explanation of what Reddit karma is/does. If your account age is also too low, you must wait until enough days have passed since you created your account before you can post or comment. Once the two conditions are met, you will be able to post and comment in /r/VoiceActing! Thank you for your understanding. /r/voiceacting is strictly moderated, so that we can keep our part of Reddit a valuable resource for voice actors. Please remember to review our [Rules and Getting Started Guide](https://www.reddit.com/r/VoiceActing/comments/1187tid/subreddit_rules_and_how_to_get_started_in_voice/), and welcome to our community!
A voice actor (US and male iirc) had a sample on his website that was raw and unedited, and said something like "this is what my studio sounds like, I record with X microphone and Y audio interface. It's unedited and you can download it, and has 30 seconds of room tone at the end". I thought I'd saved the post but sadly not, and can't find it in the search. Does anyone else remember this, or have any similar examples if not? TIA!
I’ll go first I actually had Laurie Metcalf (Rosainne , Somewhere in queens , Toy Story series- Andy’s Mom VO) come up to me multiple times & overheard a conversation with me & my agent me getting booked for a job & she goes “sounds like you just booked a job” then Introduces me to Ray Romano on the set of somewhere goes “Ray he just booked a job” he comes up give me a fist bump goes congrats & proceeds to treat me like I’m a full on cast member (I was a basketball player extra) most fun I ever had on set after that. All the extras were supposed to go back in holding Ray Romano & The Assistant Director let me stay on set that day to watch the main cast film their scenes. Then the main cast & crew took a end of production picture & they invited me to take the pic. That was 2021 summer haven’t booked anything since
Music producer Max Martin will often tell a singer to change their pronunciation by putting emphasis on a different syllable of any word, because that pronunciation will sound more "catchy". I'm sure most of you have played a video game where, for some reason, a particular line uttered by an in-game character sticks with you. Could just be any random line/word, and if you hear those words uttered by somebody IRL, it makes you think of that game. Or that line pops into your head at a random moment. Has a director ever told you to say something in a special way, in hopes of that line becoming "iconic" or memorable?
Shamelessly stolen from /r/Screenwriting. Lets play a hypothetical scenario: you win $200,000 in the lottery. Don't have any outstanding debt. You can finally quit your job (For now anyways). You decide to put that $200,000 towards "breaking in" to the industry. How do you spend it? Do you pay for 12 months of rent in Hollywood/LA? Sign up for high-end acting workshops/classes? Do you attempt to put together a "budget" version of your film? What would you do in this hypothetical but, dream-like situation, in order to get towards that goal of, getting onto a film or tv show?
Shooting a short film next month, gonna be around 14 pages with a lot of dialogue. How do you feel about dialogue heavy scripts and what are things for you that would make shooting go smoothly for things scenes with a lotta talking
There’s an agency interested in representing me in Mumbai and I’m trying to figure out what the industry is like there (not scam - through my manager). I’m surprised that the agent seems to think there’s work for me but I know nothing about the market there. I speak English only, I’m a trained working actor out in LA. Caucasian, model type, play 16-28.
Hey I’m thinking I might make an Instagram where I upload videos of me acting (monologues) to try to have a catalog for people who are looking to hire actors to look at so they can see how good I am you know? uhh im so tired lol sorry if i didnt explain this well
It can be incredibly handy to have certain clothing items for self-tapes. Keeping a small portion of your closet devoted to clothes for auditioning that are kept clean and pressed can save time and panic later. Here are just a few to consider..Basic Commercial:Before getting into character types, it’s important to have a few basics. For commercial auditions, this will typically be something in a solid color, and on the more cheerful side. Think of the “family friendly" version of you. Basic Theatrical: Same idea as commercial, but a more serious look. This might mean darker or more muted colors, possibly longer sleeves, something that makes you feel grounded. - Mom/Dad: Having a parental look will go a long way for commercial auditions and day players. A solid cardigan or polo shirt you can throw on to look approachable and relatable can easily suggest the role. Maybe have a pair of glasses handy. You want a slightly more conservative look for this one. - Flirty/Seductive: If it’s in your wheelhouse, having a flirty ingenue or vampy look might be something to consider. It’s a fine line to walk, as you still want to look professional. Hair and makeup can also go a long way here. - Dystopian/Gritty: Get yourself that grungy gray tank top or noticeably worn tee. Having an appropriately lived-in looking jacket (army green, brown, or other darker earth tones) might also be a good idea. - Professional White Collar, putting together a look with a blazer or suit with a tie can suggest a lawyer, CEO, detective, accountant or any type of white-collar professional. - Professional Blue Collar, on the other side of the spectrum, a nice denim shirt that you can roll up the sleeves can easily transform you into a farmer, hometown clerk, etc. - Scrubs, bring on the medical dramas! If you don’t have actual scrubs (though they can often be found in uniform stores) a solid color v-neck shirt can suggest a nurse or technician. A lab coat might be good to have on hand if you can find one. #actor #audition #selftape #wardrobe
Sometimes actors can say some pretty crazy things to fellow actors. You Won’t Believe What These 2 Actors Actually Said – Absolutely Shocking https://youtu.be/4BHC3AvR7dQIf you ever experienced an actor saying something weird to you, share it with others so we can all learn from each otherl
So self tapes have been around for a while now. I shot my first selfie maybe a bit over a decade ago, and it was something you did when you couldn't attend an in-person audition for whatever reason. Obviously via covid it's largely replaced in person auditioning completely. I'm wondering, for those actors that have shot a considerable amount of self-tapes, what are things that you used to do creating self tapes, that you don't do anymore? Or things you didn't do before, but do now and seems to contribute to success? Whether it be acting related, technology related, slate related, the way you choose which take to send - anything, really. I'll start: * Used to shoot way too many takes because getting my lines needed to be perfect. Now I only shoot a few takes and don't sweat a flubbed line or two. Most times if I need to do more takes it's because of a technical issue. * Used to submit the most 'correct' takes. Now I submit not necessarily the best takes, but the one where something surprising happens, or I think reveals the character most effectively, if only for a moment. Hoping to pick up a few things since self taping can be a pretty solating activity.
Just a general question I had since some actors are from Canada/Europe etc in the United States? Do British agencies represent Americans?
Hey actors of Australia! I have been offered a part scholarship to do a 9 week course with The Actor’s Pulse in Sydney (under $900). They teach the Meisner Technique and screen acting techniques. Would anyone recommend them as an acting school? Just wary of investing money into short term courses and making sure it’s actually seen as a reputable school by casting directors.
For context, I’m an acting student at the Lee Strasberg Institute and am nearing the end of the first year of my two year program here, and it’s been difficult for me and a lot of my peers to understand how sense memory as a technique can apply to scene work or actually working on getting it to work. A lot of us also don’t have the schedule to repeatedly practice outside of the classroom, but even with complete focus and being present, sense memory doesn’t work for me It got us thinking, if we can’t get a solid way of working through this technique by the end of next year, what do we do? My friends and I are beginner actors with no prior foundation in acting, and have considered trying Meisner before the start of next year, possibly to just try a different approach. However, we’re afraid of it muddling our current approach. Should one branch out to other acting techniques if they haven’t really “mastered” one? At the same time, I’ve had teachers tell me that sense memory took them years to actually work. How do I cope with that if I only have 2 years in school, one of which is almost done?
I’ve been an actor since 2014, so over 9 years now but things didn’t really start to pick up till 2020 funny enough. I’m non union and have had a lot of “career changing almosts” but my biggest fear is I’ll never book union work. It’s incredibly depressing to see my acting friends who have less than 3 years exp, become sag or sag-e and book consistently and often. All I can do is support them in their wins but I can’t even book a co-star myself despite auditioning for them for the last 9 years. I’ve been consistent in my training and receive nothing but great feedback, I’m represented in LA, NY, ATL and the UK, have gotten praise from casting, been pinned/called back for life changing work and never booked. Last year for the first time in my life I booked 5 non union commercial gigs instead of creating my own work and booking student work like I normally do. My resume is 90% shorts I created myself (bc no one wants to know you can’t book so I had to make my own work) because I’m not that bookable (but booking all those commercials last year and showing my reps I CAN book did boost my confidence a lil), but I have this dreading feeling hanging over me that I won’t ever book a sag job. I’m also plus size and have struggled with my weight my whole life. At my thinnest, I didn’t book and at my heaviest was when I booked big jobs finally. But I fear I won’t book sag film/tv/commercial unless I’m skinny. I went from a size 24 to size 10, now I’m a size 16/18 and trying to lose weight again but I feel this industry highly prefers skinny over everything. I’ve even had casting directors and agents at showcases in the past tell me to my face “you have a leading lady face but the best friend body, lose weight if you want to work”.. I’ve been told so many times about my modeling potential if I was skinny. Even during this industry shutdown I am consistently auditioning for both non union / union jobs and average 20-30 auditions per month, sometimes more depending on the season. Everyone has said how slow it is but it’s been overwhelmingly busy for me. Will I ever book sag? I just want to book one co-star and feel worthy. I have put down thousands of dollars on my package (headshots, training, making my own content to make my own reel, festival submissions to get nominations/awards etc) over the years, have reps who believe in me and get me seen for all the hot projects but I feel like I’ll never book. I quit almost every year after 9 years but I always come back after a few days after saying I was gonna quit. Am I wasting my time? I have a passion for acting and have never complained ever until now. I’m trying to focus on my corporate career bc I feel like I won’t ever accomplish my goals. 9 years and I can’t even book ONE sag job. Idk. If you read this far, thanks for reading
I’m talking Soon as I get the email I’m on my way to your crib immediately this acting shit is probably the most competitive hobby ever
I have never acted professionally, only in community theater and school productions, but it always made me so happy to go up on stage and lose myself to the character. The last time I was on stage was 10 years ago, but it was a very positive experience. High school was when my anxiety and depression kicked in full force. I lost my passion for a lot of my hobbies, including acting. Every day, up until a year or two ago, was a struggle to get out of bed. I had friends who stayed in the acting scene and would always encourage me to audition or just to join different groups, I couldn't muster up the will to do it. Now, 10 years later, I feel the need to get back up on stage. I want to belt out monologues with extreme passion, I want to feed off of other actors' energy and return the favor, I want to make an audience laugh and cry, and I want to lose myself on stage again. My therapist said acting would probably be a good coping mechanism for my anxiety. I don't want to act professionally. Frankly, I think that would worsen my anxiety. I want to start off with some classes, I'm leaning towards some improv classes I found online. I have never taken any professional acting classes, so I think that would be a great way to start. Then I need to find some community theater groups to join. If anyone has any recommendations for the Houston Area, please let me know.
So I mainly work on screen and I’m registered in the UK with equity and all profiles like spotlight in my stage name but there is an actor in the US who mainly works on musicals/singing with the same name as me. Will this be a problem ?
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
