Hey, my Stage 32 Screen Talent!Who is looking forward to the Oscars this year? I won't lie, I haven't really been watching for a long, LONG time, but I'm curious to see who is honored and in what way.Have y'all been keeping up with The Hollywood Reporter's Roundtable series? They have an off-shoot called "Off Script" which is so enjoyable! Loved diving into the Actresses Roundtable with so many Oscar contenders:https://www.youtube.com/watch?v=KA-r9NEI_TsWhat were YOUR big takeaways? Who were you looking forward to hearing from? SHARE in the comments below!For me, I really loved hearing that Emma Stone carved out 3 weeks for rehearsals for actors and it wasn't for blocking or anything to do with the logistics of the filming portion but rather to generate energy and chemistry. How profound!
Hey, All!There are 2 Stage 32 in-person networking meetups coming up this Thursday, February 15th! I'm including links to the meetup pages for you all below. If you live in any of these cities or are nearby, be sure to RSVP and seize this opportunity to meet with other creatives in person and help build your local creative community! Austin, TX: https://www.stage32.com/meetups/1955/February-Stage-32-Austin-TX-In-Person-MeetupPhoenix, AZ: https://www.stage32.com/meetups/1953/February-Stage-32-Phoenix-Area-In-Person-MeetupIf you're interested in hosting a monthly in-person Stage 32 meetup in YOUR city, be sure to reach out to me at community@stage32.com!
Hey, All!Don't miss out on tomorrow’s fantastic AMA with Philippe Deseck, SAG Nominated Stunt Performer & Coordinator (SHANG-CHI, THE MEG, AQUAMAN) in the Filmmaking Lounge! Philippe is sharing his time with us to answer YOUR questions about "Working with a Stunt Coordinator".The questions won’t be answered until Wednesday, but the post is live for you to comment your questions NOW!https://www.stage32.com/lounge/directing/Ask-Me-Anything-AMA-Wednesday-2-14-to-Thursday-2-15-Working-with-a-Stunt-CoordinatorIt's a great opportunity to learn more about working with a Stunt Coordinator such as: How do you become a stunt performer? What do you look for when hiring a Stunt Coordinator? What relationship does the Stunt Coordinator have with the Director and the Second Unit Director? Can a Stunt Coordinator also work as a Safety Officer on Set? What does a Stunt Coordinator do behind the scenes? How should action scenes be written in a script to help a stunt coordinator prepare? Does Stunt Rigging play an important part in the process of hiring a Stunt Coordinator?
I Never Should've Booked This HBO Show https://youtu.be/xADeytGx10g Amazingly, I worked on the HBO mini-series We Own This City after turning it down. Watch the video to learn how this happened. Have you ever booked a job you never thought you would? If so, leave a comment below so we can learn from you as well.If you haven't done this yet, don't forget to subscribe to my actingand modeling quick tips channel. And, click the notification bellso you always know when a new video has been uploaded.
You know that social media offers excellent tools to market yourself, but are you using each platform properly?As an actor, you want to constantly strive to create an image of yourself as an interesting and relatable person. So often, though, through the misuse of social media, the blending of personal and professional comes through and it becomes difficult to showcase ourself in the appropriate light. This isn't a rebuke on sharing parts of your life that are interesting and unrelated to acting; relating to your followers is an important part of being social. However, being consistent and molding your image is critical to gain a consistent and dedicated following.In the entertainment industry, image and perception are (almost) everything. You should strive to show your professionalism, talent, skill set, and appreciation for working daily to make yourself a better person and talent.Aspects of who you are and how you work to become better at your craft is very important to your social media profiles. Posting that you are at your workshop, getting new headshots, going to an audition, listening to a podcast about how to give an energetic performance every time, working on a new accent, etc., are all fantastic examples of what you could be telling your followers to boost your credibility.This also highlights that you are serious about your work as an actor.Focusing your time and energy is key to your online engagement. Don't spread yourself too thin by using more than three social media accounts. You should be using social media to show followers and fans what you're doing career-wise; it should not be the activity itself.Don't spend more than 15-20 minutes per day on each platform and spend it crafting what you are saying rather than mindlessly roaming around wasting time.Spend time talking to and responding to your friends/fans to show that you hear them. Did you know that Mr. Rogers reportedly responded to every single one of his fan letters? That's the commitment and respect he felt his audience deserved.#actor #socialmedia #lifestyle
Lauren Black | Bull Monologue | Mike Bartlett | Isobel A young, powerful, fraud in the business will stop at nothing to maintain her 'Perfect" image in the workplace. what did you think of my performance? Thank you for your feedback!Laurenblackproductions@gmail.com
Green flags for actor employment agreements indicate favorable terms and conditions that benefit the actor and promote a positive working relationship with the production company. On the other hand, red flags signal potential issues or concerns that actors should be cautious about. Here are some examples of green and red flags for actor employment agreements:Green Flags: Fair Compensation is important! The agreement offers competitive compensation that reflects the actor's experience, role, and the budget of the production. Clear Role Description! The agreement clearly outlines the actor's role, including the character they will portray, their responsibilities, and any specific requirements or expectations. Favorable Working Conditions! The agreement includes provisions for reasonable working hours, breaks, and accommodations, ensuring the actor's health, safety, and well-being on set. Protection of Rights! The agreement includes clauses that protect the actor's rights, such as provisions for proper crediting, use of likeness, and protection against unauthorized exploitation of their image or performance. Flexibility for Auditions and Other Work! The agreement allows the actor to audition for other roles and pursue additional work, provided it does not conflict with their obligations to the production. Red Flags:Unfair Compensation it can be obvious. The agreement offers inadequate or below-market compensation that does not reflect the actor's experience, role, or the budget of the production. Ambiguous Role Description! The agreement lacks clarity or specificity regarding the actor's role, responsibilities, or character, leaving room for misunderstandings or disputes. Unreasonable Working Conditions! The agreement fails to provide adequate protections for the actor's health, safety, or well-being on set, such as long hours, unsafe conditions, or lack of breaks. Exploitative Rights! Watch out! The agreement includes clauses that overly restrict or exploit the actor's rights, such as granting excessive control over their likeness or performance without proper compensation or consent. Exclusivity or Non-Compete Clauses! The agreement includes clauses that restrict the actor's ability to audition for other roles or pursue additional work, limiting their professional opportunities and creative freedom. Lack of Payment or Delayed Payment! The agreement fails to provide clear terms or deadlines for payment, or the production company has a history of late or non-payment to actors. You must carefully review actor employment agreements and identifying potential green and red flags, actors can protect their interests, ensure fair treatment, and make informed decisions about their participation in film and television productions. Now, a good lawyer can do that for you. It also does not hurt do your own education. This information is good to learn.
A little acting from the stars of the 1950s for your Sunday delectation. The scenes are intense, the drama emotional and the dialogue drips off their tongues. The performances for me, are heightened by the on-screen chemistry of the actors. 1. East of Eden2. A Place in the Sun3. A Street Car Named Desire4. Roman Holiday 5. Cat on a Hot Tin RoofWhat’s your favourite?https://youtu.be/W5lsMJETYbQ?si=zvNBZIPaL_swh0Je
Tickets for ‘You Won’t Help Me’, at London’s stunning The Other Palace, and The Bridewell Theatre, in the heart of the city, are available now!!26-31st MarchAnd29th July - 3rd August 202450% of all profits made from the show will be split, with 25% going to Mankind Initiative and 25% going to Women’s Aid.You won’t help me, is a gripping, compelling, beautifully, and realistically written, fly on the wall drama, based on real life events.Be ready to laugh, cry, get angry, and follow ‘Sarah’ along her journey through the most difficult relationship she has ever been in.How much would you tolerate, from the person you love?Click the link below to support a fantastic cause and secure your tickets now. Selling FAST.https://tattsntalent.com/you-wont-help-me
Here is a cover letter example for actors to send to a prospective agent:Hello, [name of agent],I’m [your name], and I’m writing to seek representation in [TV/film/commercial work/etc.]. I have been working in the business for [X amount of time], and [write something about yourself that’s not obvious from your résumé or reel]. I’m [describe your type], and I was referred by [name of your reference; it’s helpful if you were referred, and for some agencies, it’s required]. I’ve recently been working on [name a recent project or professional experience], and I think your agency would be a good fit for me because [research the agency to find a reason].I am currently appearing in [X show] on [X date]. If you can attend, I would love to get tickets for you. Also, I’m on [X series] currently airing on [X network].If you would like to schedule an interview, I can be reached at [phone number, email, and website (website should include headshots, all links to your social media, news, IMDb, Actors Access, etc)]. I look forward to connecting soon. Below please find a link to my résumé and a link to my acting reel.Sincerely,[Your name]— Links—#actor #agent #coverletter
Looking for a model/actress 'for a day in the life movie within a movie scenes' in the LA area MON 2/14
Stage 32 is excited to welcome back Ryan for his upcoming acting workshop!In this condensed 4-hour virtual workshop by Stage 32, led by the experienced Screen Actors Award winning actor Ryan Cartwright, actors at all levels will refine your audition and performance skills. Ryan, with over 30 years in the industry and roles in TV series like "BONES" and "MAD MEN," will share his expertise in turning basic dialogue into compelling performances. This interactive workshop will cover everything you need to know to deliver your best performance in the audition room AND on set.You will learn crucial acting techniques for auditions and on-set performances, focusing on dialogue interpretation, character depth, and personalizing performances while staying true to the character. You will gain insights into consistently winning audition callbacks and landing roles and learn to deliver stunning performances, even under tight preparation schedules.You will walk away from this class with the tools you need to successfully approach your character, dialogue, and action steps to properly utilize on your self tapes, callbacks and on-set performances for maximum success!PLUS! Ryan will provide you with exclusive handouts to help you hone your acting process. Downloads include:-The Audition Process Beat Sheet-Filming Day Checklisthttps://www.stage32.com/classes/Acting-Workshop-Build-Your-Successful-Preparation-Process
About timehttps://www.thewrap.com/oscars-add-new-category-casting-academy-awards/
Let me introduce you to my friend Dan Logwood. We go way back to 1999 when we crossed paths as extras on the set of Madonna's "The Next Best Thing". It was a thrilling experience, spending the day playing with kids, enjoying amusement park rides, and indulging in a sumptuous catered lunch. Fast forward to two weeks ago, Dan and I embarked on an extraordinary journey by signing up for NASA's Artemis mission. While we're not crew members, NASA is launching our names aboard the Astrobotic Griffin Lander, set to embark on a three-month survey of Mons Mouton in the moon's southern pole. This mission aims to pave the way for the next generation of astronauts. Our names are etched into history, awaiting discovery by extraterrestrial beings in the distant future. While Dan currently resides in Indiana, he's gearing up for an exciting move back to Los Angeles this August. Taking a savvy approach, he's purchased an RV and secured a spot in LA County for just $300 a month, complete with a water hookup, a move that will significantly slash his living expenses. Considering the soaring costs of apartments in LA, ranging from $1,700 to $4,000 per month, this is a smart choice. Moreover, Dan plans to dive into the entertainment industry by joining a background actors' booking service to sustain himself while he pursues representation. With his sights set on obtaining his SAG union eligibility, fueled by his prior experience, including earning a SAG voucher for his role in "What Planet Are You From?" back in 2000, we're optimistic about his prospects. I'm immensely proud to share with you a short film titled "The Devil Strikes Twice", written and directed by Dan two years ago. In it, he takes on the role of the prince of darkness himself. It's inspiring to see Dan finally chase after his dreams, a decision he deliberately delayed until his son graduated high school. Now that Dane is a college graduate, he's encouraging his dad to embrace the West Coast lifestyle wholeheartedly. https://www.youtube.com/watch?v=81fnKd2laek
It can be incredibly handy to have certain clothing items for self-tapes. Keeping a small portion of your closet devoted to clothes for auditioning that are kept clean and pressed can save time and panic later. Here are just a few to consider..Basic Commercial:Before getting into character types, it’s important to have a few basics. For commercial auditions, this will typically be something in a solid color, and on the more cheerful side. Think of the “family friendly” version of you. Basic Theatrical: Same idea as commercial, but a more serious look. This might mean darker or more muted colors, possibly longer sleeves, something that makes you feel grounded. - Mom/Dad: Having a parental look will go a long way for commercial auditions and day players. A solid cardigan or polo shirt you can throw on to look approachable and relatable can easily suggest the role. Maybe have a pair of glasses handy. You want a slightly more conservative look for this one. - Flirty/Seductive: If it’s in your wheelhouse, having a flirty ingenue or vampy look might be something to consider. It’s a fine line to walk, as you still want to look professional. Hair and makeup can also go a long way here. - Dystopian/Gritty: Get yourself that grungy gray tank top or noticeably worn tee. Having an appropriately lived-in looking jacket (army green, brown, or other darker earth tones) might also be a good idea. - Professional White Collar, putting together a look with a blazer or suit with a tie can suggest a lawyer, CEO, detective, accountant or any type of white-collar professional. - Professional Blue Collar, on the other side of the spectrum, a nice denim shirt that you can roll up the sleeves can easily transform you into a farmer, hometown clerk, etc. - Scrubs, bring on the medical dramas! If you don’t have actual scrubs (though they can often be found in uniform stores) a solid color v-neck shirt can suggest a nurse or technician. A lab coat might be good to have on hand if you can find one. #actor #audition #selftape #wardrobe
I am looking for remote voice over gigs that I can do at home. I have an advanced microphone along with software on my laptop. I can only do remote gigs because my car is not in good shape to travel to Chicago areas. It can still run but only in the limited areas. Hopefully, I will make some money to get it fixed. I have a job but the income is a slow burn. If there’s anyone involved in the world of remote voice acting or voice acting in general, please reply back ASAP. Right now I am focused on short ,simple TV or radio voice ads /commercials . You can pay me through direct deposit on PayPal, Venmo , Zelle or etc Since I am focus on only remote gigs. I tried other one voice over websites but they cost too much and the one I am in, I did send auditions but thanks to bad luck I haven’t gotten anything . I’d really appreciate. Thank you! Whoever responds, please help me set up a network for remote or general voice acting.
Beware Should Actors Sign Exclusive Agents Contracts https://youtu.be/f7ZyyAj06J8Signing an agency contract can be an important step in an actor’s career. Make sure you know what you are signing. Watch the video and learn more about contracts.Have you signed a contract? How did things work out? Was it an exclusive contract?Would love to hear your experience with the contract signing.
Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog.In the first video, acclaimed directors Ari Aster (BEAU IS AFRAID) and Yorgos Lanthimos (POOR THINGS) discuss their respective films. They tackle inspiration, originality, adaptation, and more, giving great insight into how these two artists approach storytelling. In the second video, six of the year’s top actors sit down for a roundtable discussion. They discuss their connections to one another, pivotal moments in their career, and more. Grab your coffee/tea/hot chocolate/etc. and jump in! www.stage32.com/blog/coffee-content-directors-on-directors-ari-aster-yorgos-lanthimos-3631
https://www.stage32.com/meetups/1953/February-Stage-32-Phoenix-Area-In-Person-Meetup
Three weeks ago, a major TV network placed me under contract; however, I suspect whoever is in charge of writing the contracts issued me an incorrect pay value on the contract. Moreover, they haven't paid me. I filed a claim with SAG-AFTRA, and the claim bounced around their offices this past week. I'm not sure my union knows how to resolve this unique issue. So, how will this get resolved? Will the network make good on the contract, breach the contract, or offer a compromise? I'm a reasonable person and willing to work with the network in resolving this peculiar issue.
Damn... and to think he was at the top of his game. The Mandalorian? Even directing episodes?But what a legacy! What will you remember Carl Weathers best for?https://deadline.com/gallery/remembering-carl-weathers-a-career-in-photos/
Our tireless Stage32 Education Team has been hard at work to bring in some incredible education opportunities for February! In today's blog, read all about the exclusive webinars, classes, and labs currently available to Stage 32 members!https://www.stage32.com/blog/stage-32s-february-2024-education-schedule-3626
Want to Lower Your Stress While Acting https://bit.ly/3Ul1GXz Acting can be extremely stressful. Actors need to learn how handle stress to succeed, both as actors and in our lives. If you have dealt with stress, share what you did that helped you.
- Professional name visible at the top of the page - Current headshots prominently featured - Union affiliations clearly stated - Media, including audio and video reels - A properly formatted and updated résumé - Links to all of your online casting profiles - Links to all of your professional social media profiles - Latest career news - A fantastic “About Me” page - Mobile-friendly design - Contact Info / You and Your Representation #actor #tv #film #video #website #script #writer #drama #manager #agent #casting
Working with this group has been amazing and @Robin Armstrong is the best coach!
Ranjit Kumar, is an Indian actor and his screen name is Smart Ranjit Kumar, and he comes from a Dalit family. He belongs to Mahar caste
Hey everyone - happy Friday... Nathan Glovinsky, Agent Trainee for United Talent Agency's Scripted Television department, is hosting a 24-hour Ask Me Anything ("AMA") right now in the Writer's Room Lounge, focused on "Rising Through The Ranks Of An Agency".Here's a link to Nathan's AMA so you can hop in and ask him your questions: https://www.stage32.com/lounge/vip/Ask-Me-Anything-AMA-Rising-Through-Th...And if you aren't already a member of the Stage 32 Writer's Room, you can get a first month free right now by signing up here: https://www.stage32.com/writers-room/plans-vip
Record yourself reading monologues and short scenes. You can purchase a book of monologues online or through Industry sites giving you hours of potential roles to inhabit.Pick one and practice it 2-3 times, then tape yourself giving the speech. When you rewatch it, take notes on where you want to improve, what lines sounded great, and ideas you have to make it better.Then re-do the speech, recording again until you're happy with the results.Choose a variety of monologues, not just the ones you're most comfortable with. This is practice time, so challenge yourself. It may be worth experimenting, rather than going for a set expectation of perfection. Sometimes a different approach can really make a monologue stand out.What happens if you:- Slow your lines down- Stress different words- Put longer pauses in- Change your tone- Switch it up, you may surprise yourself!Try different accents, and consider learning a new language while you’re at it. New skills to add to your resume is always a good thing.#audition #actor #casting #monologue #sides #selftape #script #workshop #video #manager #agent #hollywood #success
Thought I'd share this new online workshop that helps actors delve deeper into their characters AND supports their resilience. I've written a few Stage 32 blogs on it in the past (based on my practical work with actors) this is the first time I'm offering a structured 4 part workshop. Starts in 4 days. https://www.actor-care.com/actorcarefundamentals
Hey everyone - Oscar nominated screenwriter Alec Sokolow (TOY STORY) - a brilliant guy and an even better brother - is hosting a new webinar called SCREENWRITING 101. Learn the fundamentals of screenwriting from a guy with over $2 billion in box office receipts for the films he's written, improve your craft and have a Q&A where you can ask Alec your own questions. I learn from him every day and here's your chance to do the same. Here's a link where you can check out Alec's webinar and register for it: https://www.stage32.com/webinars/Screenwriting-101
Originally hailing from Australia with over a decade of professional acting experience, I made the move to Hollywood last year. I hit the ground running – training extensively, making connections, and booking roles in student films and indie projects.
If you're not booking auditions (in the U.S.A.), it's not your fault. Stop blaming yourself. You haven't upset your agent, if you have one, and casting directors aren't out to get you for some misstep you think you took. Another strike looms in Hollywood. This time it involves members of two unions: The Teamsters and IATSE. The issues are quite complex. Their contracts end January 31, and that's why many productions didn't ramp up after the actors and writers strike ended. Hold on folks. Everyone needs to fasten your seatbelts, low and tight around your waist. Choppy air ahead. We'll resume the beverage service shortly. NEW ARTICLE: https://variety.com/2023/biz/news/iatse-teamsters-hollywood-labor-peace-next-year-1235823080/
In today’s blog, Suzana Norberg shares her life-long journey of becoming a working actress and provides insights that she's learned along the way.www.stage32.com/blog/a-case-study-in-slow-and-steady-3620
I had the incredible opportunity to step in as a stand-in on the series "Beef", where I got to observe Steven Yeun in action. Being a fan of his portrayal of Glenn Rhee in "The Walking Dead," I was pleasantly surprised by his outstanding comedic range. Throughout the shoot, Steven delivered a different interpretation of his scripted character with a myriad of creative choices. It was a spectacle to witness an actor of his caliber seamlessly execute such diverse performances. I'm still in awe of his talent and wondering how he acquired such remarkable skills.
Ravi Kumar's real name is Ravi Kumar Ram, who is an Indian actor and internet celebrity. He was born in Sasaram and Ravi's birthday is 10 January 1999
Dear Stage 32 Community,I hope this message finds you well. My name is Eliah Miller and I'm writing to you today with a heart full of passion and excitement as I embark on a journey that has always been my dream. As a first-time female director, I find myself both thrilled and humbled by the opportunity to bring my short film to life.I understand the power of dreams, and I believe that many of you share the same sentiments. It's not always easy to pursue our passions, especially when we're not well-connected in the industry. That's where the magic of communities like Stage 32 comes in.I am reaching out to you, my fellow filmmakers, for your support. I've started a GoFundMe campaign and prepared a lookbook, pouring my heart and soul into this project. Your support means the world to me, and together, we can turn this dream into a reality.I may not have a vast network to reach out to, but I have faith in the power of a community that understands the struggles and triumphs of independent filmmaking. I kindly ask you to take a moment to visit my GoFundMe page and explore the lookbook I've prepared. Your contribution, whether big or small, will make a significant impact.Moreover, I encourage you to spread the word within our community. Share this post, tell your fellow filmmakers, and let's build a ripple effect of support. Your tips and feedback are not just welcomed; they are cherished. Feel free to message or comment with any insights you may have – your experience is invaluable. My team and I greatly appreciate all that this post might bring for us. Let us support one another in making our films and bringing them to life! Thank you all again. Gofundme link: https://www.gofundme.com/f/extremely-close-yet-awfully-far-a-short-filmLookbook link: https://drive.google.com/file/d/138q5zvLIXdmJ5x71g1LYGjWrjv7qnx_V/view?usp=sharing
Amazing work recognized!! What did you all think? Any suppose nominations or snubs?
Having a talent agent or manager meeting can be very stressful. In this video, you will learna great way to prepare. Knowing what to expect and how to handle the situation will help actorsfeel calmer and more confident. Use the link below to learn the best way to get ready for a meeting.https://youtu.be/acxG6qvpge0 How have you prepared before meeting an agent? Let us know by leaving a comment.
I got into voice acting over ten years ago and thought it was all about commercials. It turns out it's not; in fact, narrative stuff like explainer videos, audiobooks, and e-learning are a much larger part of the voice-acting universe. I find narration lots more exciting than short commercial scripts and easier to learn. I had quite a bit of acting experience, but it takes specialized training for voice-over if you want to do lots of it from your home. You need a home studio, a good mic, a computer, and special software to record. You need to learn the basics of audio engineering. I'm also a singer. I love voice acting because it combines my love of singing and acting in one space.
Now, in a way, the reverse is true. Networks and platforms are looking for authenticity, as well as for the opportunity to tell stories from voices and perspectives not often heard. A name that suggests cultural specificity can actually be helpful, given the scrutiny regarding parts being played by actors of appropriate ethnicity.”– President of a TV Production Company“I once hired a guy whose name I not only couldn’t remember — but couldn’t pronounce. I avoided him at all costs and vowed never to hire him again.”– Reality Show Producer“I have never asked a client to create a ‘brand new’ name. I have, however, suggested some folks reconsider their given names, as whatever they were currently using sounded generic, or even had a certain falsity to it. Clearly Cary Grant, Marilyn Monroe, and Lady Gaga have done all right, but my feeling is if people are comfortable with what their parents named them, then so am I.”– A Talent Agent“I love the fact that we live in a day and age where an actor does NOT have to change his/her/their name, because that’s what the industry mandates. I think it’s important for actors to be true to themselves and authentic with who they are. That being said, I have many clients who do have ‘stage names’ and I love that too. And there can be many reasons for that — privacy, for one. My only suggestion is that if you are going to change your name, you do a thorough Google search on that new name BEFORE you change it.”– Liza Anderson, Owner Anderson Group Public Relations“I fully support changing the name if it suits and supports the creative process. Being an actor is a creative endeavor. Performance, delivery, and marketing are all part of the artistic process. If you have a challenging name and you have something you want to use that is easy to remember or visually appealing, then there’s nothing wrong with creating something new. When marketing a film, all components matter.”– Jen Ditchik, Vice President, Strategy & Innovation at WC+A#actor
Already set to be one of the most groundbreaking and controversial plays of its time.Tickets for ‘You Won’t Help Me’ - The play to end domestic violence, are available now.The Bridewell Theatre London - 29/07/2024 - 03/08/2024This play was written based on the very real experiences of domestic violence, the writer had.Half of all ticket profits will be going to 2 Domestic Violence charities, and 100% of all donations raised through our donations page on the website, will be going to DV charities.Please support us in putting an end to domestic violence, and grab your tickets now
Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog.In the first video, you'll see how to use color theory to add to the visual impact and thematic arc of your story. It’s a great video for filmmakers, cinematographers, and screenwriters. In the second video, PAST LIVES star Greta Lee and ALL OF US STRANGERS star Andrew Scott discuss two small movies that’ve made a huge impression on the entertainment industry this past year. Grab your coffee/tea/hot chocolate/etc. and jump in! www.stage32.com/blog/coffee-content-when-the-director-is-an-expert-in-color-theory-3610
I have 7 completed scripts (2 pilots, 5 features) and I've been pitching for about two and a half years. I get a lot of "strong project but currently not the right fit" from many producers on another pitch service and I've never received a "request" from my stage32 pitch sessions. Last summer I worked on some re-writes with a producer from MarVista on my young adult horror slasher however no option was signed and I'm kinda just sitting in stasis with him while we wait to see if this one network may pick it up. My comfort zone is horror and romcoms but my current roster of projects consists of a sitcom, a sci-fi series, a Christmas rom com, a standard rom com, a sci-fi thriller, a horror slasher, and a supernatural thriller. I always write whatever ideas grab my attention but should I stick to what I feel I write best or continue to show my range?
Hello guys good afternoon, i know i have shared my shows Thomas And The Coles but the question is how to find them in your local area, i know that both voice acting and screenwriting is a very competitive field, and takes a lot of practice, i think its not easy finding the right people, so if i were to find people in montgomery county prince george's that would be easy. since i'm good with music i would do most of the music in my tv show. so my question to you is how can i find professionals in my area? this is a job i want and i have the skills to write a good story line.
- Using lines as an excuse - “When I know the lines I’ll be able to perform the scene better” - this is an excuse to cover up many things, mainly inhibitions, the fear of trying something or not knowing what to do because you haven’t read the scene/script enough. As Lee Strasberg (The Method guru) once said, learning lines is about memory and acting has nothing to do with memory. My advice is to play and experiment with the scene. You can only do this by reading it and making justified choices. Find a suitable way of training your memory to learn lines effectively because that’s not the job of your acting coach. - Not reading the script enough - AKA lazy acting. Some actors go through the script, but only to learn their lines. You need to know the FULL story, not just the story of the scene your character appears in or only the story of your character. To get the full picture you must read the FULL script (more than once). Here are some things to think about when reading the FULL script: Why does your character choose those specific words? What do they really mean? What is really going on? What has lead them to where they are now? In the early stages of character development you’re like a detective; you have to piece the full picture together to be able to connect to the character, then you have to figure out what the motive behind the character’s behavior is so you can make clear choices in each scene you appear in.- Forcing emotions/trying too hard - this is usually done to impress, and there is logic in that, but acting should feel effortless. When you try too hard or try to force something, it looks fake, feels strange and just doesn’t make the thing you’re trying to make happen appear. The same happens with emotions. Find inner purpose for what your character is going through and demonstrating through gestures and expressions.#actor #tv #film #video #script #writer #drama #manager #agent #casting #director #success #hollywood
Can you imagine getting a self tape request that you’re excited to shoot? What if your self tape was fun and you really felt like if you didn't book the job, you know you booked the casting office? Not convinced? I hear you - basically you've shot a lot of self tapes and you thought you knew what casting wanted but still… you didn’t book the job. I get it. My students were just like you. Honest. Read for yourself how Intentional Acting students have benefitted from the course:I got cast as the lead in a play which I auditioned for last fall - but didn't get a callback. They had to recast the role and held a second audition. The second audition I did the 9 Questions of Intentional Acting and I walked in as a different person because I had done the work versus the first time I was so nervous and worried only about the words on the page. Apparently my improvement showed. I got cast as the female lead. ~ Victoria Paganini KADE, Z-LISTERS, LIGHT MY FIRETaking your class is a great investment for any actor. It exceeded my expectations. It really, really, really helped me understand how to breakdown the script. After taking your class I have a newfound respect for acting because I had no idea how much it took to really understand the character, the show, and being in the moment. I applied the Intentional Acting tools to a project I worked on last weekend. The director commented on how great my performance was and asked me to be in his next project! ~ Shevonne Monique CHERRY BOMB, HIT LISTThese aren't just examples of lucky breaks. These are hard-working actors who needed more specific acting tools. Set up a 20 minute Free Actor's Strategy call and see if this class is a match for you. Here's the link: www.DiscoverIntentionalActing.com
Want to Learn How to Create Powerful Chemistry With Your Co-Actor? Use this link and watch the video https://www.youtube.com/watch?v=LAh2EkSrMdw If you have any suggestions on how to create a strong chemistry with your scene partner or co-star, share them with others here.
My week started off with watching ‘Society of the Snow’ and last night I finally got to watch A24’s ‘The Whale’, directed by Darren Aronofsky, written by Samuel D Hunter (and based on his play). Starring Brendan Foster and Sadie Sink.There is something about films being made that are based on plays; Dial M for Murder comes to mind. The sets for the films are simple, stage-like affairs. I think I’d call this style ‘Intimisme’, because with The Whale you have a cast of seven actors who move around a beautifully crafted set, which becomes the centre of expressing the pain of their soul.But where’s the action? We are always told that it’s all about the action, aren’t we, but in Aronofsky’s ‘The Whale’ we have the intimacy of pain, of Charlie (Brendan Fraser) and Ellie (Sadie Sink), in fact every character save for the Young Ellie, brings their pain to Charlie’s apartment. And, you are carried along by the dialogue, carried on waves of emotion, waves of pain and you get astonishing performances from every actor on this set. I don’t know why I was so surprised, astonished even, at Brendan Fraser’s performance; it goes beyond the heavy prosthetic he had to wear. Beyond ‘George of the Jungle’ and ‘The Mummy’ and it turns out that he is a great actor, which perhaps shows that any level of performance is all down to the material. As Charlie says towards the end of the film, ‘People are amazing’. He’s talking about you and me, about us and our resilience, our tenacity for life. That we keep on going, no matter what is thrown at us. Note to self: It turns out that Life can throw us more than one curve ball, simultaneously!I’ve included in this post, the link to the final scene, with its over-swell of emotion. This is a stunning performance from the small intimate cast of life’s heroes. I recommend that if you haven’t watched this film yet, that you will make it a priority to do so. If you have watched it, then please leave your thoughts on this little masterpiece below. https://youtu.be/LvwOSmIba_k?si=aTOXLVhz05ysEdVc
As an actor exploring potential representation, let's delve into a hypothetical scenario. Imagine discovering a boutique agency run by a dedicated owner and her single assistant. Now, consider learning that the owner's adult son is facing serious, life-altering mental health issues.In this situation, there's a potential challenge. On one hand, the agent might need extended time off to support her son, which could impact your job opportunities. On the other hand, there's an opportunity to contribute to the destigmatization of mental illness through supporting the agent by allowing her to represent you. How would you approach this hypothetical dilemma? What factors would you weigh in balancing your career aspirations and the call to raise awareness about mental health? I'm curious to hear your thoughts on this hypothetical scenario. Your insights matter, so let's open up a constructive conversation.
Hey, Actors!2 Stage 32 in-person networking meetups are coming up this Thursday! I'm including links to the meetup pages for you all below. If you live in any of these cities or are nearby, be sure to RSVP and seize this opportunity to meet with other creatives in person and help build your local creative community! Austin, TX: https://www.stage32.com/meetups/1948/January-Stage-32-Austin-TX-In-Person-MeetupPhoenix, AZ: https://www.stage32.com/meetups/1950/January-Stage-32-Phoenix-In-Person-Meetup
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
